MĂRȚIȘOR, DACIAN SIGNIFICANCES

In the Depth state, this pattern establishes the principles of the anaphora… Its two rays, White and Red, united by the silence of Love, share a state of analogy. Here, we speak of the fusion between red (Fire, the Tetrahedron of the Zero Element!) and white (the Light of the first stellar alchemy)… Thus, the idea of a Cosmic Wedding!… The Shiva-Shakti dance between Sabazios and Bendis!… in a Dacian key.

Remember: The symbol always hides Beauty, Vitality, Clarity!… It describes the way reality unfolds at the fundamental level… For “something” there is always an “other”!… The (white) Light of the goddess Bendis’ metaphor will forever return to the red centrality of the god Sabazios!… The elliptical rotation around the Sun will always be a trajectory of Lunar Poetry. The distinction between literal and figurative gains, here, a metaphysical meaning. We discover a hymn dedicated to motion, therefore to Life!… The metaphor, here and now, of Mărțișor as a whole, concentrates on an essential particularity: the knowledge of love. Of the First Fusion! Its creation generates Growth in a spiral versus Torsion as the Energy of the Void.

True Theometry has its Source in a tetrahedron inscribed in a sphere, the Tetragrammaton!… The Four Quarks of the Tetragrammaton are, in fact, the Four Moirae who weave the Destiny of Creation: Ananke (the mother) signifies the inexorable Time, while Clotho, Lachesis, and Atropos handle the Three-dimensional fabric of Space, all together forming the articulation of the Tetrahedron of Action. See the similarity with the 4 Rivers of Paradise and the quantum Spindle of God’s Chariot, from the “East” of the World, meaning from the “Beginning”!

The first gravitational waves of “God’s Chariot” are models of this spiral. They transmit the curvature of the “Golden Egg,” establishing in a unified symmetry the symbol of Infinity, the one of Dacia, Tibet, and India (Ꝏ)… We follow, then, the idea from the Upanishads of the “Ovoid” born from Isvara (the high manifestation of Brahma, who creates space-time), as the Cosmic Self, the creative potential… It is about light (energy) and gravity (space-time geometry) having the same nature. Gravity being a consequence of the spherical deformation of the quantified Void, when a gravitational particle (aa) is born as an archetype-model of the direction and amplitude of this perfect spiral: aa = rq x 2/Φ… And 2Dq, the initial diameter of the two spheres, in division, signifies the Message of the Great Pyramid of Khu (known as Cheops) through its Height. At the same time, it is in consonance with Brâncuși’s Spiral (of Genesis) through its scale factor. Further, through the diameter of the Tetragrammaton, meaning the Height of the Pyramid, we can decrypt both its base (232.134m) and the length of a human DNA strand (2.32134m!). Another message of the Pyramid. Mărțișor!

The 153 Petals, the Mathematical Permutations of DNA based on Sirius (Osiris), correlate with: the Diameter of the “Chariot,” Euler, Planck’s length, and inversely with the Golden Ratio: 153! = (Dq x e x lPl)/Φ. For: 153 = LADN x (Dsirius)2 x10-16 … the connection with Gravity, the creation of the Tetragrammaton.

Celebration of the Agrarian New Year, for let us recall Tradition: The Earth, by divine impulse, began its revolution around the Sun in the current month, March, the month of the Goddess of ancient Dacia, Bendis (the Fate-Weaver, see the Ancient Greek Moirae from the Tetrahedron of the Zero Element!), representing the White Moon… Alongside Her, signifying nature’s return to life after winter, was the Solar Deity Red, known as Sabazios. Together they evoked the Spiral of Mărțișor manifested in a Double Helix, like human DNA!

This Spring ceremony, of the Goddess of “binding” (“bhendth,” bond, intertwining) of creation, Bendis, (a regulation by which the human microcosm was connected to the immanent order), regarding the immersion of the Plow into the “ocean” of the Earth, in March, was in consonance with Ploiaphesia, the festival of Isis that, similarly, at the Plowing festival of Ancient Egypt, reiterated the launching of the “Ship” (after winter!). It all meant re-cognition!… The Vision of the Heart!

Now Isis reunited the 14 sections of Osiris… Thus, the occult Number of the 14 Manvantaras from the Day of Brahma, of the sectioning of Osiris’ body (time) by Seth, determined that, in the Mysteries of Abydos and Peqer, there were 14 “stages”; … a number later adopted by the authors of the New Testament Gospels in the steps of the Way of the Cross (Via Dolorosa), from the place of Pilate’s Tribunal to Golgotha, in 14 symbolic “stations.”

At the same time, Sabazios, among the Thracians-Getae-Dacians, the Liberator of the world from the cold season (winter), appeared as a mounted deity triumphing over the Northern Dragon (of the seven plowing oxen, referring to the Little and Great Bear of the celestial North, in total: 14), otherwise said, the Thracian Knight, the God of Heaven, who guided the Northern Bears around the Boreal center. He directed the world’s Fate with his Right Hand under the gesture, borrowed much later by Christianity, known today as Benedictio. The Hand of Sabazios, the Blessing of Spring, discovered as an artifact in Gabrovo-Bulgaria, in the “Parvan Fragment” from Gura Văii-Severin, and at Istros-Moesia Inferior, was depicted with a pinecone on the thumb (alluding to the meaning of the Pineal Gland, the Wisdom of the god), with a pair of serpents wrapping the wrist (a reference to Mărțișor and its Dacian meanings), with a lightning bolt over the index and middle fingers, a turtle, an eagle, a thyrsus.

At the Day of Mărțișor, we speak of a Hierophany, of a manifestation of the sacred through cosmic alignment: Sun → Moon → Earth. At that Day, looking East (the liturgical east!), toward Sabazios, Man saw the “invisible” (Bendis, the Moon!… as the New Moon!). Awakening to the Tree of Knowledge of the Word traversing the illusory Moon of words… In that Day, the angle between the Sun and the Earth’s precession Axis, thus passing through the center of the Moon, was 113.15° in accordance with the angle of the Spiral of Genesis (see Brâncuși’s Temple in Târgu Jiu!)… A deciphering of the great cycles of Creation… in the miraculous Ancient Order.

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